With over fifteen years of dedication to house music, Manchester’s Pirate Copy prefer a DIY approach when it comes to making raw, innovative dance tracks. Lee Spence has won over the ears of thousands of techno and bass enthusiasts all over the globe. His organic and down-right likable personas have played a huge part in his journey so far, as he are fast become one of the most in-demand tech house artistes around.
His impeccable productions has led to a trademark sound that is now recognised worldwide. Whether it’s a remix or an original track, Pirate Copy carefully crafts every melody, bassline, sample and beat to produce some of the most solid sounds in the business. Music like this doesn’t go unnoticed, and as a result Pirate Copy are constantly being championed by the likes of Patrick Topping, Richy Ahmed, Eats Everything, Solardo, Matthias Tanzmann, Pete Tong and many more.
Boasting a deep, rolling tech vibe, with a generous dose of underlining groove, Pirate Copy’s sound has a distinctive energy, one that has resulted in an onslaught of performances dotted around the world. Pirate Copy continues to conquer venue after venue, including Fabric, Parklife Festival, We Are FSTVL, The Warehouse Project, Elrow Barcelona, Warung Beach Club and BPM, as well as performing in Ibiza, Uruguay and a back2back show with wAFF and Richy Ahmed at Cordoba in Argentina.
In recent years, Pirate Copy has earned himself a string of releases on the likes of Elrow and Material, however his latest HQ, Kaluki Music, has proved to be the perfect home for Pirate Copy’s next wave of releases notched up several top ten’s on Beatport’s Tech House chart to date.